The birds question the hoopoe and he advises them

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An ancient secret yielded to the birds
When they had understood the hoopoe’s words –

Their kinship with the Simorgh was now plain
And all were eager to set off again.

The homily returned them to the Way

and with one voice the birds were heard to say:‘

“Tell us, dear hoopoe, how we should proceed –

Our weakness quails before this glorious deed.’

‘A lover’, said the hoopoe, now their guide,
‘Is one in whom all thoughts of Self have died;

Those who renounce the Self deserve that name;

Righteous or sinful, they are all the same!

Your heart is thwarted by the Self’s control;

Destroy its hold on you and reach your goal.

Give up this hindrance, give up mortal sight,

For only then can you approach the light.

If you are told: “Renounce our Faith”, obey!

The Self and Faith must both be tossed away;

Blasphemers call such action blasphemy –

Tell them that love exceeds mere piety.

Love has no time for blasphemy or faith,

Nor lovers for the Self, that feeble wraith.

They burn all that they own; unmoved they feel

Against their skin the torturer’s sharp steel.

Heart’s blood and bitter pain belong to love,

And tales of problems no one can remove;

Cupbearer, fill the bowl with blood, not wine –

And if you lack the heart’s rich blood take mine.

Love thrives on inextinguishable pain,

Which tears the soul, then knits the threads again.

A mote of love exceeds all bounds; it gives

The vital essence to whatever lives.

But where love thrives, there pain is always found;

Angels alone escape this weary round

They love without that savage agony

Which is reserved for vexed humanity.

Islam and blasphemy have both been passed

By those who set out on love’s path at last;

Love will direct you to Dame Poverty,

And she will show the way to Blasphemy.

When neither Blasphemy nor Faith remain,

The body  and the Self have both been slain;

Then the fierce fortitude the Way will ask
Is yours, and you are worthy of our task.

Begin the journey without fear; be calm;

Forget what is and what is not Islam;

Put childish dread aside –

like heroes meet

The hundred problems which you must defeat.

The Valley of Poverty and Nothingness

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Next comes that valley words cannot express,

The Vale of Poverty and Nothingness:

Here you are lame and deaf, the mind has gone;

You enter an obscure oblivion.

When sunlight penetrates the atmosphere

A hundred thousand shadows disappear,

And when the sea arises what can save

The patterns on the surface of each wave?

The two worlds are those patterns, and in vain

Men tell themselves what passes will remain

Whoever sinks within this sea is blest

And in self-loss obtains eternal rest;

The heart that would be lost in this wide sea lines

Disperses in profound tranquillity,

And if it should emerge again it knows

The secret ways in which the world arose.

The pilgrim who has grown wise in the Quest,

The sufi who has weathered every test,

Are lost when they approach this painful place,

And other men leave not a single trace;

Because all disappear, you might believe

That all are equal (just as you perceive

That twigs and incense offered to a flame

Both turn to powdered ash and look the same).

But though they seem to share a common state,

Their inward essences are separate,

And evil souls sunk in this mighty sea

Retain unchanged their base identity;

But if a pure soul sinks the waves surround

His fading form, in beauty he is drowned –

He is not, yet he is; what could this mean?

He will receive, for forty thousand years,

iThe men who are deserving in this place;

Then from that summit of celestial grace lines

They will return and know themselves once more

Bereft of light, the poorest of the poor.

I will be shown myself –

I weep to think

That from such heights to such depths

I must sink;

I have no need of my identity –

I long for death; what use is ‘T’ to me?

I live with evil while my Self is here;

With God both Self and evil disappear.

When I escape the Self I will arise And be as God;

the yearning pilgrim flies

From this dark province of mortality

To Nothingness and to Eternity.

And though, my heart, you bid the world farewell

To cross the bridge that arches over hell,

Do not despair – think of the oil-lamp’s glow

That sends up smoke as black as any crow;

Its oil is changed and what was there before

The shining flame flared up exists no more.

So you, my quaking heart, when you endure

These threatening flames, will rise up rare and pure.”

First put aside the Self, and then prepare

To mount Boraq* and journey through the air;

Drink down the cup of Nothingness;

put on The cloak that signifies oblivion –

Your stirrup is the void; absence must be

The horse that bears you into vacancy.

Destroy the body and adorn your sight

With kohl of insubstantial, darkest night.

First lose yourself, then lose this loss and then

Withdraw from all that you have lost again –

Go peacefully, and stage by stage progress

Until you gain the realms of Nothingness;

But if you cling to any worldly trace,

No news will reach you from that promised place.

The parrot’s excuse

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The pretty parrot was the next to speak,

Clothed all in green, with sugar in her beak,

And round her neck a circle of pure gold.

Even the falcon cannot boast so bold

A loveliness – earth’s variegated green

Is but the image of her feathers’ sheen

And when she talks the fascinating sound

Seems sweet as costly sugar finely ground;

She trilled: ‘I have been caged by heartless men,

But my desire is to be free again;

If I could reassert my liberty

I’d find the stream of immortality

Guarded by Khezr – his cloak is green like mine,

And this shared colour is an open sign

I am his equal or equivalent.

Only the stream Khezr watches could content

My thirsting soul – I have no wish to seek

This Simorgh’s throne of which you love to speak.’

The story of a dervish and a princess

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There was a king whose comely daughter’s grace

Was such that any man who glimpsed her face

Declared himself in love. Like starless dusk

Her dark hair hung, soft-scented like fine musk;

The charm of her slow, humid eyes awoke

The depths of sleeping love, and when she spoke,

No sugar was as sweet as her lips’ sweet;

No rubies with their colour could compete.

A dervish saw her, by the will of Fate.

From his arrested hand the crust he ate

Dropped unregarded, and the princess smiled.

This glance lived in his heart – the man grew wild

With ardent love, with restless misery;

For seven years he wept continually

And was content to live alone and wait,

Abject, among stray dogs, outside her gate.

At last, affronted by this fool and tired

Of his despair, her serving-men conspired

To murder him. The princess heard their plan,

Which she divulged to him. “O wretched man,”

She said, “how could you hope for love between

A dervish and the daughter of a queen?

You cannot live outside my palace door;

Be off with you and haunt these streets no more.

If you are here tomorrow you will die!”

The dervish answered her:

“That day when I First saw your beauty I despaired of life;

Why should I fear the hired assassin’s knife?

A hundred thousand men adore your face;

No power on earth could make me leave this place.

But since your servants want to murder me,

Explain the meaning of this mystery:

Why did you smile at me that day?”

“Poor fool,

I smiled from pity, almost ridicule –

‘Your ignorance provoked that smile.” She spoke,

And vanished like a wisp of strengthless smoke.’

The hoopoe answers the nightingale

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The hoopoe answered him:

‘Dear nightingale,

This superficial love which makes you quail

Is only for the outward show of things.

Renounce delusion and prepare your wings

For our great quest; sharp thorns defend the rose

And beauty such as hers too quickly goes.

True love will see such empty transience

For what it is – a fleeting turbulence

That fills your sleepless nights with grief and blame –

Forget the rose’s blush and blush for shame!

Each spring she laughs,

not for you, as you say,

But at you – and has faded in a day.

The nightingale’s excuse

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The nightingale made his excuses first.

His pleading notes described the lover’s thirst,

And through the crowd hushed silence spread as he

Descanted on love’s scope and mystery.

‘The secrets of all love are known to me,’ He crooned.

‘Throughout the darkest night my song

Resounds, and to my retinue belong

The sweet notes of the melancholy lute,

The plaintive wailing of the love-sick flute;

When love speaks in the soul my voice replies

In accents plangent as the ocean’s sighs.

The man who hears this song spurns reason’s rule;

Grey wisdom is content to be love’s fool.

My love is for the rose; I bow to her;

From her dear presence I could never stir.

If she should disappear the nightingale

Would lose his reason and his song would fail,

And though my grief is one that no bird knows,

One being understands my heart – the rose.

I am so drowned in love that I can find

No thought of my existence in my mind.

Her worship is sufficient life for me;

The quest for her is my reality

(And nightingales are not robust or strong;

The path to find the Simorgh is too long).

My love is here; the journey you propose

Cannot beguile me from my life – the rose.

It is for me she flowers; what greater bliss

Could life provide me – anywhere – than this?

The moths and the flame

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Moths gathered in a fluttering throng one night

To learn the truth about the candle’s light,

And they decided one of them should go

To gather news of the elusive glow.

One flew till in the distance he discerned

A palace window where a candle burned –

And went no nearer; back again he flew

To tell the others what he thought he knew.

The mentor of the moths dismissed his claim,

Remarking: “He knows nothing of the flame.”

A moth more eager than the one before

Set out and passed beyond the palace door.

He hovered in the aura of the fire,

A trembling blur of timorous desire,

Then headed back to say how far he’d been,

And how much he had undergone and seen.

The mentor said: “You do not bear the signs

Of one who’s fathomed how the candle shines.

” Another moth flew out – his dizzy flight

Turned to an ardent wooing of the light;

He dipped and soared, and in his frenzied trance

Both Self and fire were mingled by his dance –

The flame engulfed his wing-tips, body, head;

His being glowed a fierce translucent red;

And when the mentor saw that sudden blaze,

The moth’s form lost within the glowing rays,

He said: “He knows, he knows the truth we seek,

That hidden truth of which we cannot speak.”

To go beyond all knowledge is to find

That comprehension which eludes the mind,

And you can never gain the longed-for goal

Until you first outsoar both flesh and soul;

But should one part remain, a single hair

Will drag you back and plunge you in despair –

No creature’s Self can be admitted here,

Where all identity must disappear.

The world compared to a wax toy

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Once someone asked a dervish to portray

The nature of this world in which we stray.

He said: “This various world is like a toy –

A coloured palm-tree given to a boy,

But made of wax – now knead it in your fist,

And there’s the wax of which its shapes consist;

The lovely forms and colours are undone,

And what seemed many things is only one.

All things are one – there isn’t any two;

It isn’t me who speaks;

it isn’t you.”

The Valley of Unity

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Next comes the Valley of pure Unity,

place of lonely, long austerity,

And all who enter on this waste have found

Their various necks by one tight collar bound –

If you see many here or but a few,

They’re one, however they appear to you.

The many here are merged in one;

one form Involves the multifarious, thick swarm

(This is the oneness of diversity,

Not oneness locked in singularity);

Unit and number here have passed away;

Forget for-ever and Creation’s day –

That day is gone; eternity is gone;

Let them depart into oblivion.